OPINION: Drama at the Festival: The Donkey Way
"Look at this picture, our
reflection of life it is. Look at this picture, again, a loving hate it
is..." emotional Lisa from Chongoria Girls Boarding Primary School utters
as the judges' bell rings, pointing at a donkey sculpture placed at the centre
stage with two red jerricans of water.
"...who littered the floor, Punda, donkey
you... some donkeys haven’t finished my assignments..." Lisa continues,
recounting how the donkey's name is used in a negative way, even in schools, in
her solo verse.
I'm seated close enough to the
stage, an arm's length from the adjudicators, so close that I could give them a
pat on the back for the amazing work they are doing. This stage never ceased to
give every time the curtains rolled, leaving us, the audience, on the verge of
shedding tears or breaking out in laughter; mostly, we did, in fact, laugh our
lungs out.
It's the 62nd edition of the
Kenya Drama and Film Festival, hosted in the land of opportunities, Embu
County. It's my umpteenth time in Embu. Unlike most times I have visited the
county, this time, I'm welcomed by chilly weather, with drizzles gently kissing
the ground.
It's an event characterized by
chilly mornings and scorching sun during the day, as elated students stroll in
and out of Kangaru School and Embu University, the host institutions situated
just opposite each other.
Why "Drama at the
Festival"? The Donkey Way?
I settled on the title
"Drama at the Festival" as a handpicked title from a play done by the
Kenya Institute of Mass Communication, a title that I thought was synonymous
with the amazing talents that I witnessed, total drama at the festival.
As for "The Donkey
Way," that's because of the solo verse performed by Lisa from Chogoria
Girls Boarding Primary School, which I'm about to delve into, as a reason why
our Drama and film are a key tool for positive change in society.
I met Lisa on Tuesday, dressed in
her shade of orange school uniform, with a cream collar and white socks. She
had braids that blended black and white, which she beautifully styled in a
pussy-cat style. She seemed to be a school-going girl of few words.
Her teacher introduced her to me
after we met with the teacher on Monday, who told me they have a solo verse on
donkey welfare. The category is sponsored at the Kenya Drama and Film Festival by
Brooke East Africa, an animal welfare charity organization dealing with the
welfare of working equines.
I had a sit-down with her that
very Tuesday, as she told me about "Darling Debra," the name of her
solo verse. Debra was her donkey, so close to a Zebra, the donkey's cousin.
As we held a conversation with
her, Lisa tells me about how donkeys are often mistreated and how she hopes
that the public would ensure that the donkeys feel good; she foreshadows how
the crowd would be moved by her piece, come Thursday.
It's Thursday, and Lisa is set to
be the second act on stage after the lunch break. I had to be back early, which
explains why I'm seated close enough to the stage, an arm's length from the
adjudicators. The curtains come down as the first acts after lunch exits.
It's 20 minutes past 2 pm, the
curtains roll, revealing Lisa. She is wearing a yellow costume, seated on the
set-up seat a few meters from the donkey sculpture, in an almost statue-like
mode as she waits for the bell to ring, and soon it does.
"Look at this picture, our
reflection of life it is....” Lisa begins.
The crowd goes dead silent as
Lisa explains the challenges faced by the African donkey, from beatings,
overload, lack of medical attention, and poor harnessing, despite playing a
role in paying school fees for the kids.
“... Despite her input on my
education, darling Debra stays hungry and thirsty, drinks dirty water if
lucky...
“I raise my voice to all. In her
defense against offense, she suffers quietly watched by us, she wears under our
monitor. Darling Debra sleeps in the cold, without shelter...” Lisa says as she
moves across the stage, with the audience watching on.
“...Darling Debra now walks with
an un-proportional stomach, never been attended to medically, full of worms,
ticks, and wounds, with tears rolling uncontrollably, embracing torments by
day, horrendously by night. I issue a rallying cry for my darling Debra, as I
donate my pillow, donate my blanket, to make her night warm, and I call upon
you to make her bedroom...”
At this point, I had to scan
around and see the audience, who seemed to agree with Lisa, word by word.
The audience rattled in applause
as the curtains rolled down, as Lisa concluded with, "...My darling Debra
must be helped, from every burdening chore that slowly kills her, and moderate
her chores, so that when tired she can rest, when hungry she can be fed, when
sick she can be attended to, and make our loving bond strong, for her delivery
success, her responsibility is real, and bring her smile. My smile, our smile,
Darling Debra, Lisa Kinyaa, a Chogoria Girls presentation. See you...."
The role of Drama in positive
change in society
As Lisa exited, and as the
hundreds of seated audience members applauded, there is no doubt that Drama and
Film festivals, as well as Music festivals, play a significant role in shaping
society. There is a need for the content from both to be made open to the
public, as there is much to gain from the pieces.
From cultural dances, comedies,
modern dances, spoken word, Choral Verses, among others, lessons were being
passed on topics such as animal welfare, the importance of education, different
cultures, among many others. The audiences were learning a piece at a time!
The writer, Stephen Kiprop, is an Animal
Welfare Enthusiast and Digital Communications Specialist.
Want to send us a story? SMS to 25170 or WhatsApp 0743570000 or Submit on Citizen Digital or email wananchi@royalmedia.co.ke
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